2009

Silence

Gangaji

When we choose silence, we choose to give up the reasons not to love, which are the reasons for going to war, or continuing war, or separating, or being a victim, or being right.

In a moment of silence, in a moment of no thought, no mind, we choose to give those up. This is what my teacher invited me to. Just choose silence. Don't even choose love. Choose silence, and love is apparent.

If we choose love we already have an idea of what love is. But if you choose silence, that is the end of ideas. You are willing to have no idea, to see what is present when there is no idea, past, present, future. No idea of love, no idea of truth, no idea of you, no idea of me. Love is apparent.

1711

Autumn

Ryōnen

Sixty-six times have these eyes beheld the changing scene of autumn I have said enough about moonlight, Ask no more. Only listen to the voice of pines and cedars when no wind stirs.

1927

Entering a Room

Arthur Eddington

I am standing on the threshold about to enter a room. It is a complicated business. In the first place, I must shove against an atmosphere pressing with a force of fourteen pounds on every square inch of my body. I must make sure of landing on a plank travelling at twenty miles a second round the sun — a fraction of a second too early or too late, the plank would be miles away. I must do this whilst hanging from a round planet head outward into space, and with a wind of aether blowing at no one knows how many miles a second through every interstice of my body. The plank has no solidity of substance. To step on it is like stepping on a swarm of flies. Shall I not slip through? No, if I make the venture one of the flies hits me and gives a boost up again; I fall again and am knocked upwards by another fly; and so on. I may hope that the net result will be that I remain about steady, but if, unfortunately, I should slip through the floor or be boosted too violently up to the ceiling, the occurrence would be, not a violation of the laws of Nature, but a rare coincidence. These are some of the minor difficulties. I ought really to look at the problem four-dimensionally as concerning the intersection of my world-line with that of the plank. Then again, it is necessary to determine in which direction the entropy of the world is increasing in order to make sure that my passage over the threshold is an entrance, not an exit. Verily, it is easier for a camel to pass through the eye of a needle than for a scientific man to pass through a door. And whether the door be barn door or church door it might be wiser that he should consent to be an ordinary man and walk in rather than wait till all the difficulties involved in a really scientific ingress are resolved.